Wisard Of Oz

Wisard Of Oz Stage 1, ab 5./6. Schuljahr

Ein Sturm trägt die kleine Dorothy Gayle in das magische Land Oz. Verzweifelt macht sie sich auf den Weg in die Hauptstadt, wo der große Zauberer von Oz lebt. Nur er kann ihre Rückkehr nach Hause ermöglichen. Der Weg dorthin wird zu einer Reise. Der Zauberer von Oz (Original The Wizard of Oz), im deutschsprachigen Raum auch bekannt unter dem Alternativtitel Das zauberhafte Land, ist ein. Der Zauberer von Oz ist ein Kinderbuch des US-amerikanischen Schriftstellers Lyman Frank Baum. Die Erzählung erschien unter dem Originaltitel The. The Wonderful Wizard of Oz (The Wizard of Oz Series) (English Edition) eBook: Baum, L. Frank, Denslow, W. W., Hearn, Michael Patrick: willemsfondsroeselare.be Audiokommentar von Filmhistoriker; Märchenbuch 'The Wonderful Wizard of Oz'; Prettier than ever: Eine Legende wird restauriert; Wir wurden einander.

Wisard Of Oz

Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»The Wizard of Oz«nach Hause oder Ihre Filiale vor Ort bestellen! Veranstaltungen in Berlin: Der Zauberer von Oz. © Komische Based on the fairytale The Wonderful Wizard of Oz by Lyman Frank Baum; Libretto by Paolo. The Wizard Of Oz,Jede Reise bringt uns nach Hause. Als der Zauberer von Oz von L. Frank Baum im Jahr erschien, wurde er von den Kritikern gefeiert. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»The Wizard of Oz«nach Hause oder Ihre Filiale vor Ort bestellen! Veranstaltungen in Berlin: Der Zauberer von Oz. © Komische Based on the fairytale The Wonderful Wizard of Oz by Lyman Frank Baum; Libretto by Paolo. The Wizard Of Oz,Jede Reise bringt uns nach Hause. Als der Zauberer von Oz von L. Frank Baum im Jahr erschien, wurde er von den Kritikern gefeiert. So Dorothy and her friends take the yellow brick road to the Emerald City, to find the Wizard of Oz weitere Informationen. Verlag, Oxford University Press. Reihe​. The Wizard of Oz ist die Geschichte von Dorothy, einem Mädchen, das mit ihrer Tante und ihrem Onkel auf einer Farm in Kansas lebt.

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The Wizard of Oz - Digital Blu-ray Release Trailer - Warner Bros. Entertainment

Munchkin Soldier uncredited Alta Stevens Munchkin Villager uncredited Elizabeth Stevens Munchkins voice uncredited Ralph Sudam Ozmite uncredited August Clarence Swenson Munchkin Soldier uncredited Betty Tanner Munchkin Villager uncredited Gus Wayne Munchkin Soldier uncredited Victor Wetter Munchkin Army Captain uncredited Harry Wilson Winkie uncredited Johnny Winters Munchkin Navy Commander uncredited Marie Winters Munchkin Villager uncredited Gladys V.

Munchkin Villager uncredited Murray Wood Preston Ames Scenic Artist uncredited John Coakley Wayne Hill Russell Spencer Gaither Jr. Richard Stevens Arnold Gillespie McMillan Johnson Scott Farrar Harburg Paul Marquardt Technicolor color director Paul Adams Morgan uncredited Arthur Appell Connolly uncredited Maud Gage Baum LeRoy uncredited Betty Danko Lahr uncredited Arthur Freed Hamilton uncredited Jane Harrison Fleming uncredited Andy Hervey Garland uncredited Harry Link Connolly uncredited Harry Master Lahr uncredited John M.

LeRoy uncredited Freddie Retter Walshe uncredited Bill Richards Edit page. Good Old Movies To Watch. Watchlist: with Family.

Revised Movie Canon. Share this page:. Clear your history. Toto as Toto. Emerald City Manicurist uncredited. Munchkin Mayor uncredited.

Angry Apple Tree voice uncredited. Lollipop Guild Member voice uncredited. Munchkin child uncredited. Lollipop Guild Member uncredited.

However, the film was fully underscored , with instrumental snippets from the film's various leitmotifs throughout. There was also some recognizable classical and popular music, including:.

Principal photography concluded with the Kansas sequences on March 16, Reshoots and pick-up shots were filmed throughout April and May and into June, under the direction of producer LeRoy.

After the deletion of the "Over the Rainbow" reprise after subsequent test screenings in early June, Garland had to be brought back one more time to reshoot the "Auntie Em, I'm frightened!

The footage of Blandick's Aunt Em, as shot by Vidor, had already been set aside for rear-projection work, and was simply reused.

After Hamilton's torturous experience with the Munchkinland elevator, she refused to do the pick-ups for the scene in which she flies on a broomstick that billows smoke, so LeRoy had stunt double Betty Danko perform instead.

Danko was severely injured due to a malfunction in the smoke mechanism. At this point, the film began a long, arduous post-production. Herbert Stothart had to compose the film's background score, while A.

Arnold Gillespie had to perfect the various special effects that the film required, including many of the rear projection shots.

The MGM art department also had to create various matte paintings for the backgrounds of many of the scenes.

One significant innovation planned for the film was the use of stencil printing for the transition to Technicolor. Each frame was to be hand-tinted to maintain the sepia tone.

During the reshoots in May, the inside of the farm house was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame.

Once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress as noted in DVD extras , and the sepia-painted door briefly tints her with the same color before she emerges from the house's shadow, into the bright glare of the Technicolor lighting.

This also meant that the reshoots provided the first proper shot of Munchkinland. If one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy and she comes to a stop at the foot of the small bridge.

Test screenings of the film began on June 5, In , the average movie ran for about 90 minutes. LeRoy and Fleming knew they needed to cut at least 15 minutes to get the film down to a manageable running time.

The Witch Is Dead ", and a number of smaller dialogue sequences. This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring.

MGM felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children.

The studio also thought that it was degrading for Garland to sing in a barnyard. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they eventually won.

The song went on to win the Academy Award for Best Song of the Year and came to be identified so strongly with Garland herself that she made it her theme song.

After the preview in San Luis Obispo in early July, the film was officially released in August at its current minute running time. They continued to perform there after each screening for a week.

Garland extended her appearance for two more weeks, partnered with Rooney for a second week and with Oz co-stars Ray Bolger and Bert Lahr for the third and final week.

The film opened nationwide on August 25, It was repeated on December 13, , and gained an even larger television audience, with a Nielsen rating of It became an annual television tradition.

The film was released multiple times to the home-video commercial market on a limited scale on Super 8 film 8 mm format during the s.

These releases include an edited English version roughly 10 minutes, and roughly 20 minutes , as well as edited Spanish versions.

In the s, a full commercial release was made on Super 8 on multiple reels. The film's first LaserDisc release was in In , there were two releases for the 50th anniversary, one from Turner and one from The Criterion Collection , with a commentary track.

Laserdiscs came out in and , and the final LaserDisc was released on September 11, It contained no special features or supplements.

On October 19, , Oz was re-released by Warner Bros to celebrate the picture's 60th anniversary, with its soundtrack presented in a new 5. The DVD also contained a behind-the-scenes documentary, The Wonderful Wizard of Oz: The Making of a Movie Classic , produced in and hosted by Angela Lansbury , which was originally shown on television immediately following the telecast of the film.

It had been featured in the "Ultimate Oz" LaserDisc release. Outtakes, the deleted "Jitterbug" musical number, clips of pre Oz adaptations, trailers, newsreels, and a portrait gallery were also included, as well as two radio programs of the era publicizing the film.

In , two DVD editions were released, both featuring a newly restored version of the film with an audio commentary and an isolated music and effects track.

One of the two DVD releases was a "Two-Disc Special Edition", featuring production documentaries, trailers, various outtakes, newsreels, radio shows and still galleries.

The other set, a "Three-Disc Collector's Edition", included these features, as well as the digitally restored 80th-anniversary edition of the feature-length silent film version of The Wizard of Oz , other silent Oz adaptations and a animated short version.

For this edition, Warner Bros. The restoration job was given to Prime Focus World. On December 1, , [66] three Blu-ray discs of the Ultimate Collector's Edition were repackaged as a less expensive "Emerald Edition".

A single-disc Blu-ray, containing the restored movie and all the extra features of the two-disc Special Edition DVD, became available on March 16, Many special editions were released in celebration of the film's 75th anniversary in , including one exclusively by Best Buy a SteelBook of the 3D Blu-ray and another by Target stores that came with a keepsake lunch bag.

Although the re-issue used sepia tone, as in the original film, beginning with the re-issue, and continuing until the film's 50th anniversary VHS release in , the opening Kansas sequences were shown in black and white instead of the sepia tone as originally printed.

This includes television showings. For the film's upcoming 60th anniversary, Warner Bros. In , the film had a very limited re-release in U.

On September 23, , the film was re-released in select theaters for a one-night-only event in honor of its 70th anniversary and as a promotion for various new disc releases later in the month.

An encore of this event took place in theaters on November 17, An IMAX 3D theatrical re-release played at theaters in North America for one week only beginning September 20, , as part of the film's 75th anniversary.

It was the first picture to play at the new theater and served as the grand opening of Hollywood's first 3D IMAX screen.

It was also shown as a special presentation at the Toronto International Film Festival. According to MPAA rules, a film that has been altered in any way from its original version must be submitted for re-classification, and the 3-D conversion fell within that guideline.

Surprisingly, the 3D version received a PG rating for "Some scary moments", although no change was made to the film's original story content.

The 2D version still retains its G rating. The film was re-released by Fathom Events on January 27, 29, 30, and February 3 and 5, as part of its 80th anniversary.

It also had a one-week theatrical engagement in Dolby Cinema on October 25, to commemorate the anniversary.

The Wizard of Oz received widespread acclaim upon its release. Writing for The New York Times , Frank Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters.

Not since Disney's Snow White and the Seven Dwarfs has anything quite so fantastic succeeded half so well. Nor can they, without a few betraying jolts and split-screen overlappings, bring down from the sky the great soap bubble in which Glinda rides and roll it smoothly into place.

According to Nugent, "Judy Garland's Dorothy is a pert and fresh-faced miss with the wonder-lit eyes of a believer in fairy tales, but the Baum fantasy is at its best when the Scarecrow, the Tin Man, and the Lion are on the move.

Writing in Variety , John C. Flinn predicted that the film was "likely to perform some record-breaking feats of box-office magic," noting, "Some of the scenic passages are so beautiful in design and composition as to stir audiences by their sheer unfoldment.

Harrison's Reports wrote, "Even though some persons are not interested in pictures of this type, it is possible that they will be eager to see this picture just for its technical treatment.

The performances are good, and the incidental music is of considerable aid. Pictures of this caliber bring credit to the industry.

Leo the Lion is privileged to herald this one with his deepest roar—the one that comes from way down—for seldom if indeed ever has the screen been so successful in its approach to fantasy and extravaganza through flesh-and-blood Not all reviews were positive.

Some moviegoers felt that the year-old Garland was slightly too old to play the little girl who Baum intended his Dorothy to be.

Russell Maloney of The New Yorker wrote that the film displayed "no trace of imagination, good taste, or ingenuity" and declared it "a stinkeroo," [86] while Otis Ferguson of The New Republic wrote: "It has dwarfs, music, Technicolor, freak characters, and Judy Garland.

It can't be expected to have a sense of humor, as well — and as for the light touch of fantasy, it weighs like a pound of fruitcake soaking wet.

Roger Ebert chose it as one of his Great Films, writing that " The Wizard of Oz has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them.

In his critique of the film for the British Film Institute, author Salman Rushdie acknowledged its affect on him, noting " The Wizard of Oz was my very first literary influence".

In a retrospective article about the film, San Francisco Chronicle film critic and author Mick LaSalle declared that the.

The site's critical consensus reads, "An absolute masterpiece whose groundbreaking visuals and deft storytelling are still every bit as resonant, The Wizard of Oz is a must-see film for young and old.

However, for all the risks and cost that MGM undertook to produce the film, it was certainly more successful than anyone thought it would be.

The film had been enormously successful as a book, and it had also been a major stage hit, but previous attempts to bring it to the screen had been dismal failures.

Among the many dramatic differences between the film and the novel, The Wonderful Wizard of Oz , are the era , the character of Dorothy Gale , who is not given an age in the novel, but depicted as much younger than Judy Garland in the illustrations, and the magic slippers, which are silver.

We are not told the Tin Woodman's rather gruesome backstory in the film. He started off a human being and kept lopping off bits of himself by accident.

Baum's Oz is divided into regions where people dress in the same color. Munchkins, for example, all wear blue. Obviously this did not lend itself to the brilliant palette that was the hallmark of Technicolor films at the time.

Dorothy's adventures in the book last much longer and take her and her friends to more places in Oz. In the end, her friends are invited to rule different areas of Oz.

In some cases—including the Scarecrow, the Tin Woodman, the Munchkins in style if not color , Dorothy's long pigtails and the unusual Oz noses—the film's designers were clearly inspired by the book's illustrations by William Wallace Denslow.

In others, including the costumes for the witches, good and bad, they created their own visions of Oz. An official sequel, the animated Journey Back to Oz starring Liza Minnelli , Garland's daughter, was produced to commemorate the original film's 35th anniversary.

Marvel planned a series of sequels based on the subsequent novels. The first, The Marvelous Land of Oz , was published later that year.

The next, The Marvelous Ozma of Oz was expected to be released the following year but never came to be. With a darker story, it fared poorly with critics unfamiliar with the Oz books and was not successful at the box office, although it has since become a popular cult film , with many considering it a more loyal and faithful adaptation of what L.

Frank Baum envisioned. It was a commercial success but received a mixed reception from critics. In , independent film company Clarius Entertainment released a big-budget animated musical film, Legends of Oz: Dorothy's Return , [] which follows Dorothy's second trip to Oz.

The film fared poorly at the box office and was received negatively by critics, largely for its plot and unmemorable musical numbers.

The Wonderful Wizard of Oz is America's greatest and best-loved home grown fairytale. The first totally American fantasy for children, it is one of the most-read children's books In , Aljean Harmetz wrote The Making of The Wizard of Oz , a detailed description of the creation of the film based on interviews and research; it was updated in Because of their iconic stature, [] the ruby slippers worn by Judy Garland in the film are now among the most treasured and valuable film memorabilia in movie history.

Adrian , MGM's chief costume designer, was responsible for the final design. There are five known pairs of the ruby slippers in existence.

From Wikipedia, the free encyclopedia. Frank Baum. Theatrical release poster. Harold Arlen Herbert Stothart. Release date. Running time.

Main article: Musical selections in The Wizard of Oz. Main article: The Wizard of Oz on television. Main article: Adaptations of The Wizard of Oz.

Main article: Ruby slippers. American Film Institute. Retrieved March 9, British Board of Film Classification.

Retrieved August 25, Box Office Mojo. Retrieved October 25, Retrieved August 9, New York: Warner Books. August 18, Retrieved August 15, Los Angeles Times.

Retrieved April 24, Library of Congress. December 15, Retrieved April 16, Washington, D. September 19, Retrieved April 22, Archived from the original on August 5, Retrieved September 7, British Film Institute.

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This page contains podcasts of the Gambling with an Edge show during my one-year term as co-host and return visits. These sites are hand picked by our editors due to their quality, utility, and reputation as good sources of accurate information.

Here we have analyzed the odds and rules of the various games provided from different online casino software providers.

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Schweizer Franken. Denslow war als Künstler stark vom Japanischen Farbholzschnitt beeinflusst. Nora Lentner Dorothee. Auch die gezeichneten Charaktere entsprechen den klassischen Figuren weitestgehend. Viele Rezensenten waren von den ungewöhnlich qualitätsvollen farbigen Illustrationen von Denslow beeindruckt und sahen Online Lotto Deutschland Legal als gleichwertig zu der Erzählung an. In the middle of Reinickendorf History. Stephen Budd Advokat. Da erscheint kurz Lr Vertrieb Erfahrungen und lässt es schneien, wodurch die in Tiefschlaf Verfallenen wieder erwachen. Ergebnisse: 1 - 4 von 4. Archived from the original on Von Konto Auf Paypal überweisen 16, He sadly explains he is a humbug—an ordinary old Confirm In Deutsch who, by a hot air balloon, came to Oz long ago from Omaha. The Wizard of Odds Search. Frank Baum bibliography. Revised Movie Canon. The Lemelson Center. Wisard Of Oz

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The restoration job was given to Prime Focus World. On December 1, , [66] three Blu-ray discs of the Ultimate Collector's Edition were repackaged as a less expensive "Emerald Edition".

A single-disc Blu-ray, containing the restored movie and all the extra features of the two-disc Special Edition DVD, became available on March 16, Many special editions were released in celebration of the film's 75th anniversary in , including one exclusively by Best Buy a SteelBook of the 3D Blu-ray and another by Target stores that came with a keepsake lunch bag.

Although the re-issue used sepia tone, as in the original film, beginning with the re-issue, and continuing until the film's 50th anniversary VHS release in , the opening Kansas sequences were shown in black and white instead of the sepia tone as originally printed.

This includes television showings. For the film's upcoming 60th anniversary, Warner Bros. In , the film had a very limited re-release in U.

On September 23, , the film was re-released in select theaters for a one-night-only event in honor of its 70th anniversary and as a promotion for various new disc releases later in the month.

An encore of this event took place in theaters on November 17, An IMAX 3D theatrical re-release played at theaters in North America for one week only beginning September 20, , as part of the film's 75th anniversary.

It was the first picture to play at the new theater and served as the grand opening of Hollywood's first 3D IMAX screen.

It was also shown as a special presentation at the Toronto International Film Festival. According to MPAA rules, a film that has been altered in any way from its original version must be submitted for re-classification, and the 3-D conversion fell within that guideline.

Surprisingly, the 3D version received a PG rating for "Some scary moments", although no change was made to the film's original story content.

The 2D version still retains its G rating. The film was re-released by Fathom Events on January 27, 29, 30, and February 3 and 5, as part of its 80th anniversary.

It also had a one-week theatrical engagement in Dolby Cinema on October 25, to commemorate the anniversary. The Wizard of Oz received widespread acclaim upon its release.

Writing for The New York Times , Frank Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters.

Not since Disney's Snow White and the Seven Dwarfs has anything quite so fantastic succeeded half so well. Nor can they, without a few betraying jolts and split-screen overlappings, bring down from the sky the great soap bubble in which Glinda rides and roll it smoothly into place.

According to Nugent, "Judy Garland's Dorothy is a pert and fresh-faced miss with the wonder-lit eyes of a believer in fairy tales, but the Baum fantasy is at its best when the Scarecrow, the Tin Man, and the Lion are on the move.

Writing in Variety , John C. Flinn predicted that the film was "likely to perform some record-breaking feats of box-office magic," noting, "Some of the scenic passages are so beautiful in design and composition as to stir audiences by their sheer unfoldment.

Harrison's Reports wrote, "Even though some persons are not interested in pictures of this type, it is possible that they will be eager to see this picture just for its technical treatment.

The performances are good, and the incidental music is of considerable aid. Pictures of this caliber bring credit to the industry.

Leo the Lion is privileged to herald this one with his deepest roar—the one that comes from way down—for seldom if indeed ever has the screen been so successful in its approach to fantasy and extravaganza through flesh-and-blood Not all reviews were positive.

Some moviegoers felt that the year-old Garland was slightly too old to play the little girl who Baum intended his Dorothy to be.

Russell Maloney of The New Yorker wrote that the film displayed "no trace of imagination, good taste, or ingenuity" and declared it "a stinkeroo," [86] while Otis Ferguson of The New Republic wrote: "It has dwarfs, music, Technicolor, freak characters, and Judy Garland.

It can't be expected to have a sense of humor, as well — and as for the light touch of fantasy, it weighs like a pound of fruitcake soaking wet.

Roger Ebert chose it as one of his Great Films, writing that " The Wizard of Oz has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them.

In his critique of the film for the British Film Institute, author Salman Rushdie acknowledged its affect on him, noting " The Wizard of Oz was my very first literary influence".

In a retrospective article about the film, San Francisco Chronicle film critic and author Mick LaSalle declared that the.

The site's critical consensus reads, "An absolute masterpiece whose groundbreaking visuals and deft storytelling are still every bit as resonant, The Wizard of Oz is a must-see film for young and old.

However, for all the risks and cost that MGM undertook to produce the film, it was certainly more successful than anyone thought it would be. The film had been enormously successful as a book, and it had also been a major stage hit, but previous attempts to bring it to the screen had been dismal failures.

Among the many dramatic differences between the film and the novel, The Wonderful Wizard of Oz , are the era , the character of Dorothy Gale , who is not given an age in the novel, but depicted as much younger than Judy Garland in the illustrations, and the magic slippers, which are silver.

We are not told the Tin Woodman's rather gruesome backstory in the film. He started off a human being and kept lopping off bits of himself by accident.

Baum's Oz is divided into regions where people dress in the same color. Munchkins, for example, all wear blue.

Obviously this did not lend itself to the brilliant palette that was the hallmark of Technicolor films at the time. Dorothy's adventures in the book last much longer and take her and her friends to more places in Oz.

In the end, her friends are invited to rule different areas of Oz. In some cases—including the Scarecrow, the Tin Woodman, the Munchkins in style if not color , Dorothy's long pigtails and the unusual Oz noses—the film's designers were clearly inspired by the book's illustrations by William Wallace Denslow.

In others, including the costumes for the witches, good and bad, they created their own visions of Oz. An official sequel, the animated Journey Back to Oz starring Liza Minnelli , Garland's daughter, was produced to commemorate the original film's 35th anniversary.

Marvel planned a series of sequels based on the subsequent novels. The first, The Marvelous Land of Oz , was published later that year. The next, The Marvelous Ozma of Oz was expected to be released the following year but never came to be.

With a darker story, it fared poorly with critics unfamiliar with the Oz books and was not successful at the box office, although it has since become a popular cult film , with many considering it a more loyal and faithful adaptation of what L.

Frank Baum envisioned. It was a commercial success but received a mixed reception from critics. In , independent film company Clarius Entertainment released a big-budget animated musical film, Legends of Oz: Dorothy's Return , [] which follows Dorothy's second trip to Oz.

The film fared poorly at the box office and was received negatively by critics, largely for its plot and unmemorable musical numbers.

The Wonderful Wizard of Oz is America's greatest and best-loved home grown fairytale. The first totally American fantasy for children, it is one of the most-read children's books In , Aljean Harmetz wrote The Making of The Wizard of Oz , a detailed description of the creation of the film based on interviews and research; it was updated in Because of their iconic stature, [] the ruby slippers worn by Judy Garland in the film are now among the most treasured and valuable film memorabilia in movie history.

Adrian , MGM's chief costume designer, was responsible for the final design. There are five known pairs of the ruby slippers in existence.

From Wikipedia, the free encyclopedia. Frank Baum. Theatrical release poster. Harold Arlen Herbert Stothart.

Release date. Running time. Main article: Musical selections in The Wizard of Oz. Main article: The Wizard of Oz on television. Main article: Adaptations of The Wizard of Oz.

Main article: Ruby slippers. American Film Institute. Retrieved March 9, British Board of Film Classification.

Retrieved August 25, Box Office Mojo. Retrieved October 25, Retrieved August 9, New York: Warner Books. August 18, Retrieved August 15, Los Angeles Times.

Retrieved April 24, Library of Congress. December 15, Retrieved April 16, Washington, D. September 19, Retrieved April 22, Archived from the original on August 5, Retrieved September 7, British Film Institute.

May 6, The Independent. Retrieved October 8, Co-produced by John Fricke and Aljean Harmetz. The Making of The Wizard of Oz. See the Chapter "Special Effects.

The Witness. Archived from the original on September 7, Retrieved September 10, November 25, Archived November 14, , at the Wayback Machine.

World of Entertainment. Avon Books. October 20, University of Texas Press. Keynote address. Indiana University , August New York.

John Canemaker. Aljean Harmetz" PDF. Film Quarterly. Jack Haley Jr Productions. Retrieved September 1, Margaret Hamilton's copper-based makeup as the Wicked Witch was poisonous, so she lived on a liquid diet during the film, and the makeup was carefully cleaned off her each day.

History of Movie Musicals. New York City: Gallery Books. Twenty-First Century Books. June 1, Hal Leonard Corporation. Chicago Review Press.

The Wizardry of Oz. Retrieved August 23, The Wizard of Oz. Retrieved August 21, OUP Oxford. A Movie Timeline". Archived from the original on November 14, Retrieved September 3, Milwaukee Journal Sentinel.

Retrieved October 21, Fricke said he believes the first showings were on the 11th, one day before Oconomowoc's preview, on Cape Cod in Dennis, Massachusetts, and in another southeastern Wisconsin community, Kenosha.

Oconomowoc's Strand Theatre was one of three small-town movie theaters across the country where "Oz" premiered in the days prior to its official Hollywood opening on Aug.

It's possible that one of the other two test sites — Kenosha and the Cape Cinema in Dennis, Massachusetts — screened the film a day earlier, but Oconomowoc is the only one to lay claim and embrace the world premiere as its own.

Wisconsin State Journal. August 12, The Hollywood Reporter. November 7, Retrieved October 27, — via Archive. Ballantine Books.

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The Wizard explains and analyzes the "3 Giving 8" baccarat side bet. The Wizard's team does their Meridianbet Casino Review, looking at the casino's games, bonuses, banking, customer support, terms, and more.

Does this all-in-one betting site live up to the hype? With over 18 years and columns, this column covers close to 2, questions asked and answered.

This page contains podcasts of the Gambling with an Edge show during my one-year term as co-host and return visits.

These sites are hand picked by our editors due to their quality, utility, and reputation as good sources of accurate information.

Here we have analyzed the odds and rules of the various games provided from different online casino software providers. Enter your email address to receive our newsletter and other special announcements.

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The Wizard of Odds. Judy Garland as Dorothy Gale. Billie Burke as Glinda the Good Witch. Charley Grapewin as Uncle Henry. Clara Blandick as Auntie Em.

Pat Walshe as Nikko. Lee Murray as Winged Monkey. The Singer Midgets as Munchkins. George Ministeri as Coach Driver. Harlan Briggs as Uncle Henry's Double.

Jerry Maren as Guild Leader. Yvonne Moray as League Dancer. Tyler Brooke as Ozmite. Adriana Caselotti as Juliet. Pinto Colvig as Munchkin.

Billy Curtis as City Father. Major Doyle as Munchkin uncredited. Daisy Earles as Munchkin Villager. Harry Earles as Guild Singer.

Charles Irwin as Ozmite. Lois January as Cat Owner. Mitchell Lewis as Head Winkie. Walter Miller as Bespectacled Munchkin.

Frank Packard as Munchkin uncredited. Lillian Porter as Munchkin uncredited. Jimmy Rosen as Munchkin uncredited.

Oliver Smith as Ozmite. Terry as Toto. Carol Tevis as Munchkin. Bobby Watson as Ozmite. Gus Wayne as Munchkin. Abe Dinovitch as Munchkin.

Clarence Swensen as Munchkin. Mickey Carroll as Munchkin. The Munchkins. Meinhardt Raabe as Munchkin Coroner. Karl Slover as Munchkin.

September 6, Full Review…. September 20, Rating: A Full Review…. July 21, Full Review…. September 9, Full Review….

View All Critic Reviews Feb 27, Beautiful, memorable and overall a fun journey! The Wizard of Oz in my opinion is the best family film and is a magically fun time!

Mr N Super Reviewer. Nov 09, A classic of cinema, with a broadway musical brought to the big screen in colour.

Full of memorable songs and unforgettable scenes. Ross C Super Reviewer. Jun 15, One of the rare classics that has actually managed to achieve the coveted status of being impervious to criticism.

Its pure magic from start to finish. I could watch it a thousand times and still be filled with pure, unadulterated joy each time.

Alec B Super Reviewer. Aug 13, We're off to see the wizard, the adequately entertaining, but somewhat dated and narratively thin 'Wizard of Oz'!

It's good that she had that going for her after this film, because she was cuter at 16, and if you think that that's kind of weird to say, this film is so old that I think that it came out at a time when year-olds were already married, with children, and a place in the Senate of the Roman Empire or something.

No, this film can't possibly be that terribly old, because I had always figured that the '60s was the best time to get the type of dope which just had to have gone into this film, or at least into the minds of this film's viewers back in Man, this trippy flick has always been mighty popular, and I'm betting Victor Fleming was glad of that, because if I'm going to make time to knock something the same year I did "Gone with the Wind", I better get paid back well.

Man, forget Fleming, this film and "Gone with the Wind" bled Metro-Goldwyn-Mayer dry, so if they didn't succeed, Fleming would have his life to worry about more than his money He made this film and "Gone with the Wind" in one year, so it's not like he had all that much time to spend on having a life.

Well, lucky for MGM, was anything but the year they saw flop, because this film and its fellow Fleming flick were quite the hit, though that's not to say that this film comes close to the level of "Gone with the Wind", being held back by a number of factors.

A late s family fluff piece, this film has, of course, dated quite a bit over the years, though it couldn't have been entirely cleansed of cheesiness at the time of its release, and it's certainly not cleansed of corniness now, as its lighter moments get to be too fluffy for their own good, sometimes to a slightly annoying extent, and when it comes to the deeper areas of this film's substance, it's also dated, with no subtlety and only so much weight.

Sure, I wouldn't have expected too much from this film back in '39, so I'm certainly not asking for all that much depth to this classic fluff flick, but it's all so very superficial, and all too often to a cheesy extent which challenges your investment about as much as dating within pacing sensibilities.

At just over minutes, the film is both rather short on a general level, as well as longer than it probably should be, and you are reminded of this by a certain unevenness in pacing, whose more hurried moments slam-bang exposition, and whose less swift areas get to be a bit carried away in repetitious padding.

Really, pacing inconsistency isn't a terribly big problem, or at least the slow spells are not nearly as frequent as the hurried spells, but it still stands, messing with the momentum of the film's focus until you end up with plotting that kind of takes longer than it probably should to tell a story so simple.

Again, pacing issues aren't considerable, and while cheesiness is, it's a bit easier to forgive, considering the fact that this fluff piece was done quite a while back, so as far as consequential shortcomings are concerned, not much is wrong with this film, which is still kind of underwhelming, largely thanks to natural shortcomings, because as much fun as this tale may be, there's nothing much to it.

This classic fluff piece really is not much more than a classic fluff piece, and that's fine and all, as it makes for some pretty entertaining classic cinema, but at the end of the day, without its historical significance and fair deal of still-memorable strength, there wouldn't be too much to remember within this somewhat cheesy, uneven and limited piece of fantasy fare.

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